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Literature Text
This isn't one for you.
This isn't one for me. This is a collection of clumsily sewn together sentences for everyone who isn't us. This is for anyone who has ever made a handprint on a condensation coated window. This is for the veins of this world – the people who carry blood back into our hearts.
This is not for the arteries.
This is for the starlings, cart wheeling in the orange and purple paints of the dusky sky. It's for the old man reading his newspaper on the doorstep in a black and white photograph. It's for the strings struck by piano keys, it's for the ink feeding the typewriter. This is a piece for the demons in hell who give exalted angels their significance. It's for all the tears shed on hospital wards, evaporating from the pristine floor but never forgotten.
This isn't for the dreamers, this is for those afflicted by nightmares, both imaged and real.
This is for the corpses feeding poppies in the foreign fields of home. Those bodies are all of one nationality now, and that is death. A land where no wars are fought.
This is for the pigeons in the street and the rats in the sewer – disillusioned runaways, trying to scrape a meagre existence out of inevitability. This is for all the ideas which cannot be pinned down on paper, for the soul behind the portraits in old country houses and for the crumbling paintwork found in dreary council estates.
But, most of all, this is for the children with the aged hearts. Darting, weaving, running through the streets of the old town in which they live. Sheltering in the shadows of decrepit buildings, buildings which stand alone on the bombed streets like a hag's last tooth. Blood sticks to their faces like sweat on an athlete. Or on a soldier.
The only flowers their mothers received this Valentine's Day were blossoms of condolences. White lilies, forgotten in a dusty vase. If only they had a vase. If only they'd been given flowers. If only the mothers had survived.
This isn't for me.
And it isn't for you.
It's for the white lilies, who were never allowed to grow.
This isn't one for me. This is a collection of clumsily sewn together sentences for everyone who isn't us. This is for anyone who has ever made a handprint on a condensation coated window. This is for the veins of this world – the people who carry blood back into our hearts.
This is not for the arteries.
This is for the starlings, cart wheeling in the orange and purple paints of the dusky sky. It's for the old man reading his newspaper on the doorstep in a black and white photograph. It's for the strings struck by piano keys, it's for the ink feeding the typewriter. This is a piece for the demons in hell who give exalted angels their significance. It's for all the tears shed on hospital wards, evaporating from the pristine floor but never forgotten.
This isn't for the dreamers, this is for those afflicted by nightmares, both imaged and real.
This is for the corpses feeding poppies in the foreign fields of home. Those bodies are all of one nationality now, and that is death. A land where no wars are fought.
This is for the pigeons in the street and the rats in the sewer – disillusioned runaways, trying to scrape a meagre existence out of inevitability. This is for all the ideas which cannot be pinned down on paper, for the soul behind the portraits in old country houses and for the crumbling paintwork found in dreary council estates.
But, most of all, this is for the children with the aged hearts. Darting, weaving, running through the streets of the old town in which they live. Sheltering in the shadows of decrepit buildings, buildings which stand alone on the bombed streets like a hag's last tooth. Blood sticks to their faces like sweat on an athlete. Or on a soldier.
The only flowers their mothers received this Valentine's Day were blossoms of condolences. White lilies, forgotten in a dusty vase. If only they had a vase. If only they'd been given flowers. If only the mothers had survived.
This isn't for me.
And it isn't for you.
It's for the white lilies, who were never allowed to grow.
Literature
Breathe
When you're moving so fast, you never take time to stop and view your surroundings. The beauty passes by, but the pain tags along. It just takes a moment to slow your pace to a fast walk and peek at life. Because all too soon, everything that made you happy, will dissipate. You will be standing at the cliff edge, looking down and wondering why you chose a different path. And there is the urge at the back of your mind begging you to jump because your life is a living Hell.
This is yet another choice you have to make, another decision that will forever affect you, and the people you know. So you close your eyes and feel the cool br
Literature
She doesn't care...
"Hey"
"Hey"
"What's wrong?"
"What makes you think something is wrong?"
"I know that look. She has hurt you again. Hasn't she?"
"No."
"Why do you keep letting her do this to you?"
"She didn't do anything!"
"Yea, that's why you're all upset right?"
"I don't know."
"You know very well what the end will be of this relationship but you still go on. She is like a poison to you. She is driving you insane. You haven't been the same. Why do you let her do this to you?"
"I don't know."
"God! You're going to ruin your life. "
"What am I supposed to do?"
"I don't know, but being with her isn't helping."
"But
. I love her." Every lette
Literature
I Cannot Tell
I could sing such praises of you
But I fear no aria will do you justice
I cannot tell of your eyes
Sparkling sapphires of indomitable allure
With the fury of a thousand waves
Yet the serenity of an angel
No, that is not enough
I cannot tell of your nature
A captivating glow that surrounds you
Sweeter than the purest honey
Or your compelling wit and charm
No, that is not enough
I cannot tell of your heart
Iridescent beauty, pure and true
As stunning and fragile as crystal
Benevolent and full of passion
No, that is not enough
I could sing such praises of you
But I fear no aria will do you justice
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I hope it's all right.
This sort of stuff's been on my mind a lot really.
So I wrote about it.
This sort of stuff's been on my mind a lot really.
So I wrote about it.
© 2012 - 2024 Peghan
Comments102
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Really good. Really, really good. Really, really, really good. I love it. I really do.